We look closely at the work ourselves before it goes anywhere else.
We map the hosts whose actual audience would want it.
We offer it directly to that host, in whatever form fits the work.
Hosts who want to go further get the first conversation with the person behind it.
Tell us what you cover and who actually pays attention to it.
We bring you work we think is a real fit, with the reasoning made explicit.
You decide what to look at and what to do with it.
We handle sending the material and arranging the introduction.
Earned coverage today mostly happens two ways. A press list treats every inbox the same and hopes something lands. Or someone with a real following gets asked, in a friendly tone, to cover something for free because a marketer liked it. Neither approach engages a host's own judgment about their own audience.
Circle works from both sides. A host is matched to work that actually suits their audience, and work is matched to hosts whose community is already primed to care about it. That is what makes this a circle of intellectual curiosity. Frontier ideas find rooms built to make them intuitive to more people, and those rooms keep discovering ideas worth their attention in return.
That is the work.
Real questions from hosts and creators, answered plainly.
A press list treats every inbox the same and hopes something sticks. We curate hard before anything reaches a host, and we match by what that host's specific audience already cares about.
That's what our sibling service, Dicewing Salons, is for — placements at a host's published rate, arranged directly. Circle is the other half: no fee in either direction, no guarantee, just a genuine introduction between work we believe in and hosts who might too.
Early access before anyone else sees it, whichever form fits the work. That can mean an advance copy, a listener copy, a screening pass, or a premiere seat. When it's a real fit, you also get first right of refusal to speak directly with the person behind it.
No. Looking is the only ask. If it isn't right for you or your audience, telling us that is useful too, since it sharpens who we bring you next.
Public intellectuals and scientists with an idea that deserves a bigger room. Non-profits doing high-impact work most people have never heard of. Founders and companies building something with real social consequence. Documentaries about to premiere, and the occasional book that earns its place alongside all of it.
No. Circle is for people and work that has already won real recognition, from awards to peer review, and is now looking for a new room to reach. We have a separate platform built for creators who are just getting started.
No. We curate hard and match by hand, but whether a host decides to feature the work in the end is entirely up to them. Anyone promising guaranteed coverage in this model is overselling it.
No. Hosts receive the work for free, and creators pay nothing for the introduction. If paid placement is what you're after, that's Dicewing Salons, our sibling service, arranged directly at a host's published rate.
The same team behind Dicewing Salons, working the earned half of the same practice. What gets brought to a host is decided by our own read of the work, not by who's asking us to feature it. Names available on request.
Tell us what it is and why it matters. Our team reviews everything by hand and comes back within a few working days with a sense of fit and which hosts we'd approach first.
Tell us about your work → sarah@dicewing.comTell us what you cover and who actually pays attention to it. We'll let you know what's currently available to look at that might genuinely fit.
Tell us about your platform → sarah@dicewing.com